What is "The Fretboard Paradox"?
The trouble with patterns and shapes is that, on one hand, they are the foundation we use when learning how to play the bass. But on the other hand, using traditional patterns and shapes can leave you feeling trapped in a small area of the fretboard.
It Feels LIKE YOU’RE LOCKED IN “bass jail”.
Where every time you want to play more fun and challenging bass parts, you end up feeling lost as you try to utilize the upper strings and frets. And you quickly give up and go back to playing the same-old patterns and shapes again.
THIS DOESN’T HAPPEN TO GREAT BASS PLAYERS.
Think of your favorite bass player, whether it's Jaco, Hadrien Feraud, Gary Willis, or Marcus Miller.
Notice anything? They don’t get “stuck” playing a small section of the fingerboard.
They weave their way up and down the fretboard — almost without thinking about it. And they connect all of those super-juicy bass lines together with ease.
So at this point, you’re probably thinking that all you have to do to master the fretboard is follow in the footsteps of your favorite bassist…
There’s just one problem with that...